Arthur Hacker (1858–1919) was a British painter known for his versatility in both style and subject matter. Born in London, Hacker studied at the Royal Academy Schools and later in Paris under the guidance of Jean-Léon Gérôme. Early in his career, Hacker embraced classicism, producing historical and biblical scenes influenced by academic traditions. His painting *The Annunciation* (1892) exemplifies his early religious work, while his later shift toward portraiture and genre scenes broadened his appeal. Hacker was also a key figure in the Newlyn School, where he explored rural and coastal life in naturalistic styles. His works display a range of approaches, from the romantic Pre-Raphaelite style to Impressionist influences. Hacker became a member of the Royal Academy in 1910, where he was an active participant in the British art scene. His later works increasingly focused on allegorical subjects, such as *The Cloud* (1910), which reflects his evolving interest in symbolism. His contribution to British art includes a wide-ranging body of work that captures both the grandeur of historical subjects and the subtleties of everyday life, making him a respected figure in late Victorian and Edwardian art. Hacker's paintings continue to be celebrated for their technical mastery and emotional depth.